Crossings, Op 20 |
February–April 1919 |
Incidental music to the play by Walter de la Mare
Flute, 2 violins, viola, cello, bass, piano
RCM 4851: MS score, 13 numbers separately dated, 63 pages and Fairy Music cues for piano conductor
RCM 4852: Copyist’s MS, 94 pages and Fairy Music cues for piano conductor
Beaumont Press 1921 [BL: Case100g7], decorations by Randolph Schwabe, Libretto and the four solo songs. NA
F. B. Goodwin 1921, parts NA; W. Collins 1924 [BL: C410], libretto and piano score. NA; piano score [BL: D11779f65]
First performance 21 June 1919 at The Wick School, Brighton, conducted by Sir Adrian Boult, produced by Edward Dent.
Gibbs Society holds a printed copy of score and parts.
See Solo Songs p. 2; Orchestral Music – full orchestra p. 46, piano and strings p. 48
The White Devil or Vittoria Corombona, Op 28 |
February 1920 |
Incidental music to the play by John Webster
String quartet
MS: B–P Archive, Bag Dv: score, ink, dated, 17 pages and title page; copyist’s string parts
Unpublished
First performance 1920 for Marlowe Society at Cambridge University
The Betrothal, Op 31 |
1920–21 |
Incidental music to the Faery play by Maeterlinck (sequel to The Blue Bird)
Flute, oboe, clarinet, bassoon, 2 horns, trumpet, trombone, timpani, percussion, harp, strings
1. Prelude
2. The Great Choice
3. The Start of the Journey
4. Ballet Music
5. The Abode of the Ancestors
6. Near the Stars
7. The Awakening
8. The Farewell
9. Tyltyl and Joy
MS: B–P Archive, Bag Di: ink, 368 loose pages; piano score, title page
B. Feldman & Co 1921, piano score [BL: g1125b30]
First performance 8th January 1921 at The Gaiety Theatre, London, produced by H. Granville Barker
See Op 34 below
The Oresteia of Aeschylus, Op 33 |
1920–21 |
Incidental music to the play in 3 acts with English verse translation by R.C. Trevelyan
Flute(piccolo), oboe, clarinet, bassoon, 2 horns, trumpet, trombone, timpani, cymbals, triangle, harp, piano, strings
1. Agammemnon
MS: B–P Archive, Bag Div: bound full score, ink, 101 pages and title page
2. The Choephori
MS: B–P Archive, Bag Div: bound full score, ink, 67 pages and title page
3. The Eumenides
MS: B–P Archive, Bag Div: bound full score, ink, 93 pages and title page
Cambridge, Bowes & Bowes 1921 [BL: G760x2 and G1177b], for the Greek Play Committee, Cambridge University. NA
Goodwin & Tabb 1921, cr, vocal score [BL: G190h3], English and Greek. NA
First performance 2nd March 1921 at Cambridge University New Theatre
The Betrothal, Op 34 |
2nd June 1921 |
Ballet music for the play by Maeterlinck, a revision of the Ballet Music from Op 31
Piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, triangle, cymbals, bass drum, tambourine, celesta, harp, strings
MS: RCM 4844: full score, dated
MS: B–P Archive, Bag Ei: Copyist’s full score, ink, bound, 61 pages and title page
Duration: 10′40″
Unpublished; Gibbs Society holds a newly printed copy of score and parts.
First performance 30th March 1922, Bournemouth conducted by Dan Godfrey
See Op 31 above and Piano p.53.
The Blue Peter, Op 50 |
July-October 1923 |
Comic Opera in one act for 4 soloists (SATB) and orchestra
Words by A. P. Herbert
Flute, oboe, 2 clarinets, bassoon, 2 horns, trumpet, trombone, triangle, cymbals, timpani, harp or piano, strings
RCM 4575: MS conductor’s score, dated, 110 pages
MS: B–P Archive, Bag Dii: Copyist’s MS, ink, dated, bound, 127 pages, title page
Duration: 45′
Stainer & Bell 1925, cr, [BL: F690gg2] Carnegie Collection of British Music NA.
Dedicated to S. P. Waddington
First performance at the RCM in 1923
Midsummer Madness, Op 51 |
October 1923-March 1924 |
Play for music in 3 acts for 4 soloists (SATB) with small orchestra: flute, 2 clarinets, bassoon, string quartet and piano
Words by Clifford Bax.
MS: RCM 4848: score, dated, 202 pages, and 6 separate removed/alternative/unidentified sections, 36 pages
MS: B–P Archive, Bag Diii: ink, vocal score, printer’s copy, 113 pages; orchestral score without voices, 41 pages
Curwen 1924 vocal score [BL: F690nn1] Music Sales.
Dedicated to Clifford Bax
First performance 3 July 1924 at The Lyric Theatre, Hammersmith
See Solo Songs p. 4
April Fools |
February 1925 |
Play for children for soloists and chorus with piano
Words by Violet M. Methley
MS: B–P Archive, Bag Di: ink, dated, 21 pages (loose, due to damage), typed libretto
Curwen 1925 vocal score. [BL: E890e3] Music Sales.
The Sting of Love, Op 56 |
1926 |
One act comic opera for soloists and small orchestra: flute, oboe, 2 clarinets, bassoon, 2 horns, timpani, piano, strings
Words by Leonard Angus Gibbs.
MS: B–P Archive, Bag Dv: ink, dated, 102 pages and title page, bound
Unpublished
First performance January 1927, the Winter Gardens Bournemouth conducted by Armstrong Gibbs
Duration: 35′
When one isn’t there, Op 60 |
1927 |
Children’s operetta for soloists, chorus and piano
Words by C. W. Emlyn
MS: B–P Archive, Bag Dv: ink, dated, 22 pages and title page
Curwen 1928 vocal store [BL: E1592dd4]
† Lorna Doone |
*1933 |
Music for the film
Script by Basil Dean after R. D. Blackmore
See Love’s Wisdom: Solo Songs p. 321; other accompaniments p. 327
Incidental Music to the pageant play St. Elizabeth Of Hungary, Op 81 |
February – March 1935 |
SATB/TB, string orchestra and timpani
Words by A. J. Gregory Nicholson
MS: B–P Archive, Box 8: full score, ink, 28 pages, Box 3; MS, vocal score, bound, 25 pages and title page
Boosey & Co 1935 [BL: E1592rr5] SATB chorus parts only (‘vocal score and parts available’ B&H 2006)
Twelfth Night, Op 83 |
1935 – 1936 |
Play with music in 3 acts
Three trumpets (optional), timpani (optional), strings
Words by William Shakespeare
MS: B–P Archive, Bag Dvii: full score, ink, individual parts, ink; rough version including piano reduction, pencil
Unpublished
First performance 20th June 1936 at Danbury Park
See Fulfilment: Solo Song p. 322; Stage and Screen p. 356
Henry BrockenIncidental Music, Op 88 |
1937 |
Solo voices, string quartet and piano
Words by Walter de la Mare
MS: B–P Archive, Box 8: full score, ink, 22 pages and title page, parts
See Solo Song p. 322; Chamber Music p. 364
Unpublished
† Music from the Sea |
1937 |
Play for broadcasting.
Women’s voices and small orchestra
Words by Walter de la Mare
Unpublished
First performance 5 December 1937 on BBC National programme, conducted by Joseph Lewis
Duration 25′
The Three Kings, Op 89 |
May – August 1937 |
A Nativity Play in 4 acts, SATB or SA with string orchestra (basses optional) and piano (or organ) or two pianos or piano or organ
Words by Mordaunt Currie
MS: B–P Archive, Box 8: full score, ink, strings and piano, bound, 70 pages and title page; Box 7: MS, vocal score, ink, dated, printer’s copy, 58 pages, title page, and page of instructions
Duration 90′
Winthrop Rogers 1937 [BL: F1269ww5], vocal Score (SATB), vocal score (SA), with tonic solfa, ‘libretto and orchestral parts may be hired’ from B&H
Dedicated to Frieda and Francis Scott ‘in gratitude and affection’
World Premiere 05/12/1964 Prospect Hill School, New Haven, Connecticut
Students from the Prospect Hill School
Twelfth Night, Op 115 |
1946 |
Opera in 3 acts and 7 scenes for soloists, chorus and small orchestra: flute, oboe, 2 clarinets, bassoon, 2 horns, trumpet, trombone, timpani, piano, strings
Words by Shakespeare adapted by Mordaunt Currie
MS: B–P Archive, Bag Dvi: ink, full score, dated, 478 pages, title pages, composer’s note; Bag Dvii: vocal score, ink, 181 pages
Unpublished
See Stage and Screen p. 355
The Great Bell of Burley, Op 128 |
January-Febuary 1950 |
Opera for young singers in 3 acts
for SSA or SSAT/B and 2 pianos
Words by Nancy Bush
MS: B–P Archive, Bag Di: pencil, dated, 116 pages and 2 title pages (original draft)
Novello; libretto Music Sales. Gibbs Society holds many copies.
Duration: 90′
Novello 1952 vocal score [BL: E1598a1]; 1954 revised edition vocal score [BL: E1598d1]. Novello; libretto Music Sales
The Promised One |
2nd December 1952 |
Incidental music to play by Benedict Ellis
Voices, harp and strings
MS: B–P Archive, Bag Cii: vocal score, pencil, dated, 40 pages and title page
Unpublished
First performance on BBC Radio in 1952
See A Saviour Born: Chorus and Orchestra, p. 330
Mr. Cornelius |
February 1953 |
Romantic opera in one Act
Soloists and flute, oboe, 2 clarinets, alto saxophone, bassoon, 2 horns, timpani, triangle, piano, strings
Words by Benedict Ellis
MS: B–P Archive, Box 3: full score and vocal score, ink, dated; Bag Diii: MS, vocal score of separate numbers, pencil and ink, some dated in autumn 1952
Unpublished
See The cat and the wedding cake and Mediterranean: Orchestral – small orchestra p. 359
The Gift |
April-May 1957 |
Choral mime for narrator, women’s chorus (two–part) and miming troupe
with accompaniment for strings and piano
Words by Benedict Ellis
MS: B–P Archive, Bag Dii: vocal score, ink, dated, printer’s copy, 46 pages and title page, spoken text
OUP 1958 vocal score [BL: F1267zz3] NA. Gibbs Society holds a copy.
First performance 27 May 1958 at Scala Theatre for Townswomen’s Guild Silver Jubilee
See God be in my Head: Part Songs – unaccompanied p. 344, Part Songs – with piano p. 348; and Pudding Song: Part songs with Piano p. 349